内容

目次

(NOTE: Each chapter begins with an Overview and concludes with a FurtherReading section and Chapter Ending Questions.)1. Photography. Realism andFormalism. The Shots. The Angles. Light and Dark. Color. Lenses, Filters,Stocks, The Special Effects. The Cinematographer.2. Mise en Scene. The Frame.Composition and Design. Territorial Space. Proxemic Patterns. Open and ClosedForms.3. Movement. Kinetics. The Moving Camera. Mechanical Distortions ofMovement.4. Editing. Continuity. D.W. Griffith and Classical Cutting. SovietMontage and the Formalist Tradition. Andre Bazin and the Tradition ofRealism. Hitchcock's North by Northwest: Storyboard Version. 5. Sound.Historical Background. Sound Effects. Music. Musicals. Spoken Language.6.Acting. Stage and Screen Acting. The American Star System. Styles of Acting.Casting.7. Drama. Time, Space, and Language. The Director. Settings andDecor. Costumes and Makeup.8. Story. Narratology. The Spectator. TheClassical Paradigm. Realistic Narratives. Formalistic Narratives.Nonfictional Narratives. Genre and Myth.9. Writing. The Screenwriter. TheScreenplay. North by Northwest: Reading Version. Figurative Comparisons.Point of View. Literary Adaptations.10. Ideology. The Left-Center-RightModel. Culture, Religion, and Ethnicity. Feminism. Gay Liberation. Tone.11.Critique (formerly Theory). Types of Critiques. Theories of Realism.Formalist Film Theories. The Auteur Theory. Eclectic and SyntheticApproaches. Structuralism and Semiology. Historiography.12. Synthesis:Citizen Kane . Photography. Mise en Scene. Movement. Editing. Sound. Acting.Drama. Story. Writing. Ideology. Critique.Glossary. Index.