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INTRODUCTION; PREFACE TO THE SECOND EDITION; PART 1: FILM AS AN ART;THE NATURE OF ART; WAYS OF LOOKING AT ART; FILM, RECORDING, AND THEOTHER ARTS; THE STRUCTURE OF ART; PART 2: TECHNOLOGY: IMAGE AND SOUND;ART AND TECHNOLOGY; THE LENS; THE CAMERA; THE FILMSTOCK; THESOUNDTRACK; POSTPRODUCTION; VIDEO AND FILM; PROJECTION; PART 3: THELANGAUGE OF FILM: SIGNS AND SYNTAX; SIGNS; SYNTAX; PART 4: THE SHAPE OFFILM HISTORY; MOVIES/FILM/CINEMA; "MOVIES": ECONOMICS; "FILM":POLITICS; "CINEMA": ESTHETICS; PART 5: FILM THEORY: FORM AND FUNCTION;THE CRITIC; THE POET AND THE PHILOSOPHER: LINDSAY AND MUNSTERBERG;EXPRESSIONISM AND REALISM: ARNHEIM AND KRACAUER; MONTAGE: PUDOVKIN,EISENSTEIN, BALAZS, AND FORMALISM; MISE EN SCENE: NEOREALISM, BAZIN ANDGODARD; FILM SPEAKS AND ACTS: METZ AND CONTEMPORARY THEORY; PART 6:MEDIA: IN THE MIDDLE OF THINGS; COMMUNITY; PRINT AND ELECTRONIC MEDIA;THE TECHNOLOGY OF MECHANICAL AND ELECTRONIC MEDIA; RADIO AND RECORDS;TELEVISION AND VIDEO; PART 7: MULTIMEDIA: THE DIGITAL REVOLUTION; THEDIGITAL REVOLUTION; THE MYTH OF MULTIMEDIA; THE MYTH OF VIRTUALREALITY; THE MYTH OF CYBERSPACE; "WHAT IS TO BE DONE?; I FILM ANDMEDIA: A CHRONOLOGY; TO 1895: PREHISTORY; 1896-1915: THE BIRTH OF FILM;1916-1930: SILENT FILM, THE BIRTHS OF RADIO AND SOUND FILM; 1931-1945:THE GREAT AGE OF HOLLYWOOD AND RADIO; 1946-1960: THE GROWTH OFTELEVISION; 1961-1980: THE MEDIA WORLD; 1981-PRESENT: THE DIGITALWORLD; II READING ABOUT FILM AND MEDIA; PART ONE: A BASIC LIBRARY; PARTTWO: INFORMATION; INDEX; TOPICS; PEOPLE; TITLES