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目次

PART I: THE ANONYMOUS CHANSONS; ANALYSIS AND ASCRIPTION: Introduction;The Rondeaux for Three Voices: Cadences; The Rondeaux for Three Voices:Melody; The Rondeaux for Three Voices: Mensuration, texture, and performancepractice; Other Rondeaux, the Ballades, and the Middle Dutch songs; A newBinchois repertoire; PART II: THE CHANSON IN BURGUNDIAN COURT CULTURE:Introduction; What is `Burgundian' music?; Chivalric humanism and theChanson; The Chanson and la Courtoise; The musical mirror of Burgundianmelancholy; Conclusion; Appendices: Catalogue of Escorial MS V.III.24; TheAnonymous Pieces; The Vers-Structure of the French-texted songs; Corrigenda;Bibliography; Index