内容

目次

Acknowledgements; List of Tables; List of Examples; List of AudioExamples on CD; Note on Orthography; Note on Music Notations; 1.Introduction; 2. Theoretical Perspectives I: Rhythmic Organization in IndianCultural Perspective; 3. Theoretical Perspectives II: General Theories ofRhythm and Metre; 4. Tal Theory as a Model of Rhythmic Organization; 5. Talin Practice: Quantitative, Qualitative, and Cyclic Functions; 6. Lay Tempoand Rhythmic Density; 7. Performance Practice and Rhythm in Hindustani Music:Introduction; 8. The Bandis; 9. Development Techniques and Process; 10.Laykari Rhythmic Variation; 11. A Case Study in Rhythmic Analysis:Instrumentals Gats in the Repertoire of Deepak Choudhury; 12. North IndianRhythmic Organization in Cross-Cultural Perspective; Glossary; Bibliography;Discography; Index