内容

目次

REDEFINING CINEMA: INTERNATIONAL AND AVANT-GARDE ALTERNATIVES; 1.Concepts of National Cinema; 2. Modernism and the Avante-Gardes; 3. Realism,Modernism, and Post-Colonial; REDEFINING CINEMA: OTHER GENRES; 4. TheDocumentary Film; 5. The Animated Film; EUROPEAN CINEMA; 6. Issues inEuropean Cinema; CASE-STUDIES: MOVEMENTS, MOMENTS, AND FILMMAKERS; 7. TheAvant-Gardes and European Cinema before 1930; 8. Italian Post-War Cinema andNeo-Realism; 9. The French Nouvelle Vague; 10. New German Cinema; 11.East-Central European Cinema; 12. European Film Policy and the Response toHollywood; 13. Directors and Stars: (a) Jean Renoir, by Keith Reader; (b)Ingmar Bergman, by Chris Darke; (c) Chantal Akerman, by Cathy Fowler; (d)Pedro Almodovar, by Jose Arroyo; (e) Luc Besson, by Susan Hayward; (f)Brigitte Bardot: A Star Case Study, by Ginette Vincendeau; ANGLOPHONENATIONAL CINEMAS; CASE-STUDIES; 14. British Cinema; 15. Ireland and Cinema;16. Australian Cinema; 17. Canadian Cinema; WORLD CINEMA; 18. Issues in WorldCinema; CASE-STUDIES: CINEMAS OF THE WORLD; 19. Indian Cinema; Reading:'Popular Hindi Cinema'; 20. Chinese Cinema; 21 (a) Hong Kong Cinema:Discovery and Pre-Discovery; 21 (b) China, and 1997; 22. Taiwanese NewCinema; 23. Japanese Cinema; 24. African Cinema; Reading: Hyenas; 25. SouthAmerican Cinema; FILM IN A CHANGING AGE; 26. Film and Changing Technologies;27. Film and Television