内容

目次

I. A Case Study for Interpretation The Third Movement of Op. 106(Hammerklavier) II. Correlation, Interpretation, and the Markedness ofOppositions III. From Topic to Expressive Genre IV. The Pastoral ExpressiveGenre The Four Movements of Op. 101 V. The Thematic Level and the Markednessof Classical Material VI. Thematic Markedness The First Movements of Op. 130and Op. 131 VII. Beyond the Hierarchies of Correlation Troping, Irony,Levels of Discourse, and Intertextuality VIII. Analysis and Synthesis TheCavatina from Op. 130 IX. From the Aesthetic to me Semiotic X. FurtherPerspectives on Musical Meaning and Cognition