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FOREWORD BY ALAN DUNDES ACKNOWLEDGMENTS INTRODUCTION 1. The Originsof Folk Music, Past and Present 2. Folk Music and Oral Tradition 3.Classification: The Discursive Boundaries of Folk Music 4. The SocialBasis of Folk Music: A Sense of Community, A Sense of Place 5. The FolkMusician 6. Folk Music in Non-Western Cultures 7. Folk Music andCanon-Formation: The Creative Dialectic between Text and Context 8. FolkMusic in the Modern World Bibliography Index