内容

目次

Toward a critique of architectural ideology, Manfredo Tafuri; "Ladimension amoureuse" in architecture, George Baird; no-stop city, ArchizoomAssiociati; learning from pop, Denise Scott Brown; cemetery of San Sataldo,Modena, Aldo Rossi; introduction to "Five Architects", Colin Rowe; WallHouse, John Hejduk; from "Collage City", manuscript in circulation from 1973,Colin Rowe and Fred Koetter; linguistics in architecture, Mario Gandelsonas;the new architecture and the avant-garde, Massimo Scolari; l'architecturedans le boudoir - the language of criticism and the criticism of language,Manfredo Tafuri; from "The Production of Space", Henri Lefebvre;architectural metaphors, Denis Hollier; design versus non-design, DianaAgrest; the architectural paradox, Bernard Tschumi; the architecture of theEcole des Beaux-Arts; post-functionalism, Peter Eisenman; gray architectureas post-modernism, or, up and down from orthodoxy, Robert A.M. Stern; realityas history - notes for a discussion of realism in architecture, MartinSteinmann; formalism - realism, Bernard Huet; the beauty of shadows, JorgeSilvetti; the third typology, Anthony Vidler; heterotopias and the history ofspaces, Georges Teyssot; post-modern architecture, Charles A. Jencks; NeueStaatsgalerie, Stuttgart, James Stirling; life in the metropolis, or, theculture of congestion, Rem Koolhaas; from briccolage to myth, or, how to putHumpty-Dumpty together again, Alan Colquhoun; the only path for architecture,Maurice Culot and Leon Krier; school at Quentin-en-Yvelines, Leon Krier; thestatus of man and the status of his objects - a reading of "The HumanCondition", Kenneth Frampton; Gehry House, Santa Monica, California, FrankGehry; loss of synthesis - Mies's pavilion, Jose Quetglas; eupalinos orarchitecture, Massimo Cacciari; the Manhattan transcripts, Bernard Tschumi;modern and postmodern architecture, Jurgen Habermas; space, knowledge andpower, Michel Foucault; architecture and the critique of ideology, FredericJameson; introduction to "Architecture and the Crisis of Modern Science",Albert Perez-Gomez; chamber works, Daniel Libeskind; in front of lines thatleave nothing behind, Robin Evans; architectural design as a system ofresearch programmes, Stanford Anderson; the italophiles at work, Jean-LouisCohen; the end of the classical - the end of the beginning, the end of theend, Peter Eisenman; the overexposed city, Paul Virilio; the perimeterprojects - notes for design, Robert Segrest; point de folie - maintenantl'architecture, Jacques Derrida; moving arrows, eros and other errors - anarchitecture of absence, Peter Eisenman; la citta nuova -modernity andcontinuity, Sanford Kwinter; weak architecture, Ignasi de Sola-Morales;"l'esprit nouveau" - architecture and "publicite", Beatriz Colomina; theburdens of linearity - donkey urbanism, Catherine Ingraham; the translationof architecture, the production of Babel, Mark Wigley; deconstructivistarchitecture; architecture and poli