内容

目次

Historical Background - Anatoliy V. Lunacharsky, the Cultured Commissar.Part 1 The Precursors: Valdimir I. Rebikov - the Inventor of Whole-toneMusic; Aleksei V. Stanchinskiy - the Diatonic Webern. Part 2 The Big Three:Nikolai A. Roslavets - the Russian Schoenberg; Aleksandr V. Mosolov - the Manof Steel; Arthur V. Lourie - the Decadent Out of Place. Part 3 The SmallerFive: Leonid A. Polovinkin - the Partial Avant-gardist; Vladimir V.Shcherbachev - Old Wine in New Vessels; Lev K. Knipper - Wind from the West;Boris N. Liatoshinski - the Passionate Slav; Vladimir M. Deshevov - the Manof the Theatre. Part 4 The Reluctant Avant-gardists: Samuil E. Feinberg - thePost-Scriabin Pianist; Anatoliy N. Aleksandrov - The Post-Rachmaninovian;Boris A. Aleksandrov. Part 5 The Jewish School: Aleksandr A. Krein; GrigoriyA. Krein; Yulian G. Krein; Aleksandr M. Veprik - the Ukrainian Bartok andBloch; Mikhail F. Gnessin - the Jewish Glinka. Part 6 Composers in Exile:Ivan A. Vishnegradsky - Microtones; Nikolai Obukhov - Mystic Beyond Scriabin;Iosif M. Schillinger - Gershwin's Teacher; Aleksandr N. Tcherepnine - SuaveInternationalist. Part 7 Musicologists and Transients: Sergei V. Protopopov -the Post-Scriabin Composer; Leonid L. Sabaneev - Would-be Scientist BecomesCritic; Dmitriy M. Melkikh - Rhapsodist; Gavriil N. Popov - Contrapuntalist;Aleksei S. Zhivotov - Notorious for One Piece; Efim Golyshchev - the FirstSerialist?; Georgi M. Rimsky-Korsakov - Microtonist; Appendix - FurtherScores for Study and Reference.