内容

目次

A Note on Transliteration; Introduction - Tchaikovsky as OurContemporary, Alexander Mihailovic. Part 1 Changing Perspectives on theComposer Tchaikovsky - a New View: A Centennial Essay, Richard Taruskin;Tchaikovsky and His Music in Anglo-American Criticism, 1890s-1950s, MalcolmHamrick Brown; The Tchaikovsky Myths - a Critical Reassessment, AlexanderPoznansky. Part 2 Tchaikovsky and His Musical Contemporaries: Tchaikovsky andWagner - a Reassessment, Rosamund Bartlett; Analysis and Influence - aComparison of Rhythmic Structures in the Instrumental Music of Schumann andTchaikovsky, Joseph Kraus; Truth vs. Beauty - Comparative Text Settings byMusorgsky and Tchaikovsky, Leslie Kearney. Part 3 "The Oprichnik" -Tchaikovsky's "Lost" Opera: Culture and Nationalism - Tchaikovsky's Visionsof Russia in "The Oprichnik", Susan Beam Eggers; The Intrigue of Love andIllusion in Tchaikovsky's "The Oprichnik", Anne Swartz. Part 4 The MatureOperatic Composer: Tchaikovsky's Eugene Onegin - Tatiana and Lensky, theThird Couple, Truman Bullard; "But Was My Eugene Happy" - Musical andDramatic Tensions in Eugene Onegin, Byron Nelson; Musical Historicism in "TheQueen of Spades", James Parakilas. Part 5 Tchaikovsky, Russian Orthodoxy andNationalism: Tchaikovsky Roots in the Russian Choral Tradition, OlgaDolskaya-Ackerly; A Stranger in a Strange Land - Tchaikovsky as a Composer ofChurch Music, Vladimir Morosan; Tchaikovsky, the Tsars and the TsaristNational Anthem, William H. Parsons. Part 6 Other Perspectives, Contemporaryand Modern: Tchaikovsky - the Love That Dare Not Speak its Name, SamuelLipman; The Manifestation of Piotr in Modest Tchaikovsky's Play "TheSymphony", Stephany Gould; Exploding the Romantic Myth - Ken Russell's "TheMusic Lovers", James H. Krukones. Part 7 Round-Table Discussions:Biographical Issues in Tchaikovsky Scholarship, John Marcus; Tchaikovsky inAmerican and Russian Musical Education, Joel Sachs; Tchaikovsky's Ballets -Interpretation and Performance, Jeanne Fuchs; Appendix - Conference Programme.