内容

目次

Sexuality and power in the three parts of "King Henry VI"; a range ofvoices - "Titus Andronicus" and "Love's Labour's Lost"; the prison andthe world - "Richard II"; wayward sons and daughters - "Romeo andJuliet", "A Midsummer Night's Dream", "Henry I Part 1"; the boundariesof comedy - "The Taming of the Shrew" and "The Merchant of Venice";England, the world's best garden - "Henry IV Part 2" and "Henry V"; theplay's the thing - "The Merry Wives of Windsor"; love anddisillusionment - "As You Like It" and "Twelfth Night"; the rottenstate - "Hamlet" and "Julius Caesar"; the fairy-tale in crisis - "MuchAdo About Nothing", "Troilus and Cressida", "All's Well That Ends Well".