内容

目次

Acknowledgements - Notes on the Contributors - Foreword; P.Holland -Introduction; M.T.Burnett & R.Wray - The Book on the Screen:Shakespeare Films and Textual Culture; A.Murphy - The PostmodernTheatre of Paul Mazursky's Tempest; D.Bruster - Camp Richard III andthe Burdens of (Stage/Film) History; S.M.Buhler - Shakespeare Meets TheGodfather : The Postmodern Populism of Al Pacino's Looking for Richard;N.Sinyard - Urban Dystopias: Re-approaching Christine Edzard's As YouLike It; A.Marriette - Impressions of Fantasy: Adrian Noble's AMidsummer Night's Dream; M.T.Burnett - 'The Way the World is Now': Lovein the Troma Zone; M.J.Kidnie - 'These Violent Delights have ViolentEnds': Baz Luhrmann's Millennial Shakespeare; J.N.Loehlin - 'Either forTragedy, Comedy': Attitudes to Hamlet in Kenneth Branagh's In the BleakMidwinter and Hamlet; A.Smith - The End of History and the Last Man:Kenneth Branagh's Hamlet; J.Sanders - From the Horse's Mouth: Branaghon the Bard; R.Wray & M.T.Burnett - Virgin and Ape, Venetian andInfidel: Labellings of Otherness in Oliver Parker's Othello; J.Buchanan- Shakespeare in Love and the End of the Shakespearean: Academic andMass Culture Constructions of Literary Authorship; R.Burt - Index