内容

目次

Introduction: Locating Performance Studies; E.Striff.- POPULAR PERFORMANCE.- The Power Team: Muscular Christianity and the Spectacle of Conversion; S.Mazer .- Ethnological Show Business: Footlighting the Dark Continent; B.Lindfors.- Striptease: Desire, Mimetic Jeopardy, and Performing Spectators; K.Liepe-Levinson.- PERFORMING BODIES, PERFORMANCE ART.- The Surgical Self: Body Alteration and Identity; P. Auslander.- Reconsidering Homophobia: Karen Finley's Indiscretions; L.Hart.- PERFORMING HISTORIES/MEMORIES.- Spectacular Suffering: Performing Presence, Absence and Witness at the U.S. Holocaust Memorial Museum; V.M.Patraka.- Hearing Anita Hill and Clarence Tomas; P.Phelan.- PERFORMANCE AND THE WORLD.- The Street is the Stage; R.Schechner.- Culture and Performance in the Circum-Atlantic World; J.Roach.- Jewels Brought Back from Bondage: Black Music and the Politics of Authenticity; P.Gilroy.- PERFORMATIVITY/PERFORMANCE.- Critically Queer; J.Butler.- Choreographies of Gender; S.L.Foster.- Summaries and Notes.- Suggestions for Further Reading.- Notes on Contributors.- Index.