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目次

Chapter 1 AN EARLY EVALUATION OF THE YOUNG WRITER CHEKHOV; Chapter 2 ABRAHAM CAHAN ON THE NEW WAVE OF RUSSIAN WRITERS; Chapter 3 R.E.C. LONG DISCUSSES SOME OF CHEKHOV'S SHORT STORIES AND HIS PLACE IN RUSSIAN LITERATURE; Chapter 4 LEO WIENER ON CHEKHOV'S ‘PESSIMISM’; Chapter 5 UNSIGNED COMMENT ON THE SHORT STORIES; Chapter 6 UNSIGNED REVIEW OF R.E.C. LONG'S TRANSLATION OF THE SHORT STORIES, ‘OUTLOOK’; Chapter 7 CHEKHOV AS A PURVEYOR OF LUNACY; Chapter 8 A LOOK AT CHEKHOV'S ACHIEVEMENT; Chapter 9 OBITUARY IN ‘THE TIMES’; Chapter 10 AN OBITUARY AND ASSESSMENT OF CHEKHOV, ‘TIMES LITERARY SUPPLEMENT’; Chapter 11 VALERI BRIUSOV ANNOUNCES THE FIRST PERFORMANCE OF CHEKHOV'S LAST PLAY; Chapter 12 CHRISTIAN BRINTON ASSESSES CHEKHOV; Chapter 13 CHRISTIAN BRINTON ON CHEKHOV AND RUSSIAN ACTORS; Chapter 14 MAURICE BARING ON CHEKHOV AND RUSSIAN THEATRE, ‘NEW QUARTERLY’; Chapter 15 ST JOHN HANKIN WRITES ABOUT THE QUALITY AND METHOD OF A CHEKHOV PLAY, ‘ACADEMY’; Part 2 ‘The Seagull’; Chapter 16 UNSIGNED NOTICE IN THE GLASGOW ‘EVENING TIMES’; Chapter 17 UNSIGNED NOTICE IN ‘GLASGOW HERALD’; Chapter 18 PSEUDONYMOUS NOTICE BY ‘JACOB TONSON’, ‘NEW AGE’; Chapter 19 ASHLEY DUKES ON CHEKHOV THE INNOVATOR; Part 3 ‘The Cherry Orchard’; Chapter 20 UNSIGNED NOTICE IN ‘THE TIMES’; Chapter 21 UNSIGNED NOTICE, ‘DAILY TELEGRAPH’; Chapter 22 UNSIGNED NOTICE IN ‘MORNING POST’; Chapter 23 ‘H.W.M.’ in ‘NATION’ (LONDON); Chapter 24 J.T. GREIN IN ‘SUNDAX TIMES’; Chapter 25 PSEUDONYMOUS NOTICE BY ‘JACOB TONSON’ (ARNOLD BENNETT), ‘NEW AGE’; Chapter 26 GEORGE CALDERON ANALYSES CHEKHOV'S METHOD; Chapter 27 UNSIGNED COMMENT ON CALDERON'S TRANSLATIONS OF ‘THE SEAGULL’ AND ‘THE CHERRY ORCHARD’, ‘TIMES LITERARY SUPPLEMENT’; Part 4 ‘The Seagull’; Chapter 28 UNSIGNED NOTICE IN ‘THE TIMES’; Chapter 29 UNSIGNED NOTICE IN ‘DAILY TELEGRAPH’; Chapter 30 UNSIGNED NOTICE IN ‘ACADEMY’; Chapter 31 JOHN PALMER CRITICISES THE RECEPTION OF CHEKHOV IN LONDON, ‘SATURDAY REVIEW’; Chapter 32 HUNTLY CARTER FINDS CHEKHOV AND ‘THE S