内容

目次

Part I Part I AN OVERVIEW; Chapter 1 ADAPTATIONS, ImeldaWhelehtm; Part II Part II FROM TEXT TO SCREEN; Chapter 2 INTRODUCTION, DeborahCartmell; Chapter 3 THE SHAKESPEARE ON SCREEN INDUSTRY, DeborahCartmell; Chapter 4 CONSERVATIVE AUSTEN, RADICAL AUSTEN, JulianNorth; Chapter 5 FROM EMMA TO CLUELESS, EstherSonnet; Chapter 6 IMAGINING THE PURITAN BODY, RogerBromley; Chapter 7 FOUR LITTLE WOMEN, PatKirkham, SarahWarren; Chapter 8 WILL HOLLYWOOD NEVER LEARN?, NicholasZurbrugg; Chapter 9 ADAPTING THE HOLOCAUST, MarkRawlinson; Chapter 10 SPEAKING OUT, DerekPaget; Part III Part III FROM SCREEN TO TEXT AND MULTIPLE ADAPTATIONS; Chapter 11 INTRODUCTION, DeborahCartmell; Chapter 12 ORLANDO, SharonOuditt; Chapter 13 JANE CAMPION AND THE LIMITS OF LITERARY CINEMA, KenGelder; Chapter 14 THE WRATH OF THE ORIGINAL CAST, Ina RaeHark; Chapter 15 BATMAN, WillBrooker; Chapter 16 ‘THOU ART TRANSLATED’, PaulWells; Chapter 17 ‘A DOGGY FAIRY TALE’, ImeldaWhelehan; BIBLIOGRAPHY INDEX;