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Notes on contributors Preface to the Second Edition Acknowledgements 1.Introduction Part One. Institutions, Audiences and Technology 2. Cinemaas Institution 3. Film and Technology Part Two: Approaches to StudyingFilm Texts 4. Film Form and Narrative 5. The Film Spectator 6. GenreStar and Auteur - Critical Approaches to Hollywood Cinema Part Three:Genre Forms: Realism and Illusion 7. The Documentary Form: Personal andSocial 'Realities' 8. Animation: Forms and Meanings Part Four:Representation of Gender and Sexuality 9. Women and Film 10. Lesbianand Gay Cinema Part Five: National Cinemas 11. British Cinema 12. AnIntroduction to Indian Cinema 13. The Soviet Montage Cinema of the1920s 14. New German Cinema