【ルネサンスから20世紀初期に至る音楽理論と自然の秩序】
Music Theory and Natural Order from the Renaissance to the Early Twentieth Century. paper
著者紹介
内容
目次
Part I. The Disenchantment and Re-enchantment of Music: 1. VincenzoGalilei, modernity and the division of nature Daniel Chua; 2. 'Tis nature'svoice': music, natural philosophy and the hidden world in seventeenth-centuryEngland Linda Phyllis Austern; 3. The 'gift of nature': musical 'instinct'and musical cognition in Rameau David Cohen; 4. Nietzsche, Riemann, Wagner:when music lies Leslie David Blasius; Part II. Natural Forms - FormingNature: 5. The second nature of sonata form Scott Burnham; 6. August Halm'stwo cultures as nature Alexander Rehding; 7. Seduced by notation: Oettingen'stopography of the major-minor system Suzannah Clark; Part III. Constructionsof Identity: 8. The gendered eye: music analysis and the scientific outlookin German early Romantic music theory Ian Biddle; 9. On the primitives inmusic theory: the savage and subconscious as sources of analytical authorityPeter A. Hoyt.
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