内容

目次

1. Stage and screen: Kurt Weill and operatic reform in the 1920s BryanGilliam; 2. Rethinking sound: music and radio in Weimar Germany ChristopherHailey; 3. 'Overcoming romanticism': on the modernisation oftwentieth-century performance practice Robert Hill; 4. Lehrstuck: anaesthetics of performance Stephen Hinton; 5. Singing Brecht versus Brechtsinging: performance in theory and practice Kim H. Kowalke; 6. Germanmusicology and early music performance, 1918-1933 Pamela Potter; 7. Jazzreception in Weimar Germany: in search of a shimmy figure J. BradfordRobinson; 8. The idea of Bewegung in the German organ reform movement of the1920s Peter Williams.