内容

目次

List of illustrations; List of contributors; Acknowledgments; Note onthe Romanisation of Chinese; Introduction Nick Browne; Part I. Film inthe People's Republic: 1. Spatiality and subjectivity in Xie Jin's filmmelodrama of the new period Ma Ning; 2. Society and subjectivity: onthe political economy of Chinese melodrama Nick Browne; 3. HuangJianxin and the notion of post-socialism Paul G. Pickowicz; 4. Neitherone thing nor another? Towards a study of the viewing subject andChinese cinema in the 1980s Chris Berry; Part II. Film in Taiwan andHong Kong: 5. Remapping Taipei Fredric Jameson; 6. The Ideology ofinitiation: the films of Hou Hsiao-hsien William Tay; 7. The return ofthe father: Hong Kong new wave and its Chinese context in the 1980s LiCheuk-To; 8. Border crossing: mainland China's presence in Hong Kongcinema Esther Yau; 9. Two films from Hong Kong: parody and allegory LeoOu-Fan Lee.