著者紹介

内容

目次

Preface; Acknowledgements; Contributors; Part I. Languages: 1. Metaphorin Roger Scruton's aesthetics of music Naomi Cumming; 2. Competing myths: theAmerican abandonment of Schenker's organicism Robert Snarrenberg; 3.Rehabilitating the incorrigible Marion A. Guck; Part II. Decisions: 4.Criteria of correctness in music theory and analysis Jonathan Dunsby; 5.Ambiguity in tonal music: a preliminary study Kofi Agawu; 6. Systems andstrategies: functions and limits of analysis Anthony Pople; Part III. Texts:7. Debussy's significant connections: metaphor and metonymy in analyticalmethod Craig Ayrey; 8. Music as text: Mahler, Schumann and issues in analysisRobert Samuels; 9. The obbligato recitative: narrative and Schoenberg's FiveOrchestral Pieces, Op. 16 Alan Street; 10. Music theory and the challenge ofmodern music: Birtwistle's Refrains and Choruses Jonathan Cross; 11. Repons:phantasmagoria or the articulation of space? Alastair Williams; Bibliography;Index.