著者紹介

内容

目次

Introduction Margreta de Grazia, Maureen Quilligan and PeterStallybrass; Part I. Priority of Objects: 1. The ideology of superfluousthings: King Lear as period piece Margreta de Grazia; 2. Rude mechanicalsPatricia Parker; 3. Spenser's domestic domain: poetry property and the EarlyModern subject Louis A. Montrose; Part II. Materialisations: 4. Gendering theCrown Stephen Orgel; 5. The unauthored 1539 volume in which is printed theHecatomphile, The Flowers of French Poetry and Other Soothing Things Nancy J.Vickers; 6. Dematerialisations: textile and textual properties in Ovid,Sandys, and Spenser Ann Rosalind Jones; Part III. Appropriations: 7. Freedomservice and the trade in slaves: the problem of labour in Paradise LostMaureen Quilligan; 8. Feathers and flies: Aphra Behn and theseventeenth-century trade in exotica Margaret W. Ferguson; 9. Unlearning theAztec Cantares (Preliminaries to a postcolonial history) Gary Tomlinson; PartIV. Fetishisms: 10. Worn worlds: clothes and identity on the Renaissancestage Peter Stallybrass; 11. The Countess of Pembroke's literal translationJonathan Goldberg; 12. Remnants of the sacred in early modern England StephenGreenblatt; Part V. Objections: 13. The insincerity of women Marjorie Garber;14. Desire is death Jonathan Dollimore; Index.