内容

目次

Foreword Ian Bent; Preface; Part I. The Appeal to Psychology: 1. A newprogram for music theory; 2. The psychologistic argument; 3. The contrapuntallaboratory; 4. An epistemological crisis and a plausible solution; 5. Adescriptive and analytic psychology; Part II. The Historiological Imperative:6. The authority of history; 7. The improvisational imagination, editing,execution; 8. The interior performance; 9. The paleographic argument; 10. Thephilological paradigm; Part III. The Objective Synthesis: 11. Thecoordination of discourses; 12. System and synthesis; 13. Closure; 14.Representation; 15. A priori and a posteriori theories; 16. Two polemics; 17.The function of ideology; Bibliography; Indexes.