内容

目次

List of illustrations; List of tables; List of music examples;Acknowledgments; Bibliographical note; List of abbreviations; Prologue; PartI. Text and Performance: 1. Song and written record in the early thirteenthcentury; 2. The sources of song: chansonniers, narratives, dance-song; 3. Theperformance of song in Jean Renart's Rose; Part II. The Boundaries of Genre:4. The refrain; 5. Refrains in context: a case study; 6. Contrafacta: fromsecular to sacred in Gautier de Coinci and later thirteenth-century writing;Part III. The Location of Culture: 7. 'Courtly' and 'popular' in thethirteenth century; 8. Urban culture: Arras and the puys; 9. The culturalcontexts of Adam de la Halle; Part IV. Modes of Inscription: 10. Songs inwriting: the evidence of the manuscripts; 11. Chante/fable: Aucassin etNicolette; 12. Writing music, writing poetry: Le Roman de Fauvel in Paris BNfr. 146; Part V: Lyric and Narrative: 13. The two Roses: Machaut and thethirteenth century; 14. Rewriting song: chanson, motet, salut, and dit; 15.Citation and authorship from the thirteenth to the fourteenth century; PartVI. Envoy: The New Art: 16. The Formes fixes: from Adam de la Halle toGuillaume de Machaut; Epilogue; Glossary; Appendix; Bibliography.