内容

目次

Preface; Notational conventions; 1. Setting the stage; 2. Tonalrepresentation and tonal processes; 3. Directionality and interacting sandhiprocesses I; 4. Directionality and interacting sandhi processes II; 5. Frombase tones to sandhi forms: a constraint-based analysis; 6. From tone toaccent; 7. Stress-foot as sandhi domain I; 8. Stress-foot as sandhi domainII; 9. Minimal rhythmic unit as obligatory sandhi domain; 10. Phonologicalphrase as a sandhi domain; 11. From tone to intonation; Concluding remarks;Bibliographical appendix: tone sandhi across Chinese dialects; References;Subject index; Author index.