内容

目次

Part I. Beginnings: 1. Prologue: Exempli gratia; 2. Music theoryincunabula: printed books, printed music; Part II. 1520-1540: Pietro Aron andSeybald Heyden: 3. Pietro Aron and Petrucci's prints; 4. Music anthologies,theory treatises, and the Reformation: Nuremberg in the 1530s and 1540s; PartIII. The Polyphony of Heinrich Glarean's Dodecachordon (1547): 5. Exempla,commonplace books, and writing theory; 6. The polyphony of the Dodecachordon;Part IV. Gioseffo Zarlino's Le Istitutioni Harmoniche (1558): 7. Compositionand theory mediated by print culture; 8. 'On the Modes': the citations of LeIstitutioni Harmoniche; Part V. Readings Past and Present: 9. Exemplumgratia: A reception history of Magnus es tu Domine/Tu pauperum refugium; 10.Epilogue: reading theorists reading (music); Bibliography.