内容

目次

Part 1: "If we shadows have offended" - Edmund Spenser and theElizabethan world of patronage, Marion Wynne-Davies; discourse and dialectic- the work of Christopher Marlowe, William Zunder; anxious to amuse -metaphysical poetry and the discourse of Renaissance masculinity, BruceWoodcock; "when the bad bleed" - Renaissance tragedy and dramatic form,Kathleen E. McLuskie; identity and ownership - narratives of land in theEnglish Renaissance, Melanie Hansen; popular culture in the EnglishRenaissance, Mark Thornton Burnett; "demons in female form" - representationsof women and gender in murder pamphlets of the late-16th and early-17thcenturies, Garthine Walker; 16th-century women's writing - Mary Sidney's"Psalmes" and the "femininity" of translation, Suzanne Trill; "a grain ofglorie" - George Herbert and 17th-century devotional lyrics, Helen Wilcox;Marvell's news from nowhere, John Hoyles; "the meaning, not the name" -Milton and gender, Tony Davies; preaching common grounds - Winstanley and thediggers as concrete utopians, Christopher Kendrick; female prophecy in the17th century - the instance of Anna Trapnel, Kate Chedgzoy. Part 2 Selecteddocuments.