内容

目次

Felicia Hemans - Hemans and home - "Victorianism, Feminine 'InternalEnemies', and the Domestication of National Identity" (1994), T.Lootens; Elizabeth Barrett Browning - from patria to matria -"Elizabeth Barrett Browing's Risorgimento" (1984), S.M. Gilbert; theembodied muse - "Elizabeth Barrett Browning's Aurora Leigh and FeministPoetics" (1989), J. Zonana; Emily Bronte - "The Mother Planet" (1994),S. Davies; George Eliot - Armgart - "George Eliot on the Woman Artist"(1980), K. Blake; Adelaide Procter - Adelaide Procter's "A Legend ofProvence" - "The Struggle for a Place", G. Gregory; Christina Rossetti- "Christina Rossetti's Poems" (1980), J.J. McGann; ChristinaRossetti's Religious Poetry - "Watching, Looking, Keeping Vigil"(1982), D. Rosenblum; "Men sell not such in any town" - "Exchange inGoblin Market" (1990), T. Holt; Michael Field - "The Tiresian Poet - M.Field", Rosamund Marriott Watson; 'fair hymen holdeth hid a world ofwoes' - "Myth and Marriage in Poems by Graham R. Tomson, RosamundMarriott Watson" (1994), L.K. Hughes; general - "The Damsel, the Knightand the Victorian Woman Poet" (1986), D. Mermin; 'Because men made thelaws' - "The Fallen Woman and the Woman Poet" (1989), A. Leighton;'Poet's right' - "Christina Rossetti as Anti-Muse", S. Conley; 'A musicof thine own' - "Women's Poetry - an Expressive Tradition?" (1993), I.Armstrong; 'I lived for art, I lived for love' - "The Woman Poet SingsSappho's Last Song" M. Reynolds.