内容

目次

On Beethoven's sketches and autographs - some problems of definition andinterpretation; the autograph of the first movement of the Sonata forVioloncello and Pianoforte, Opus 69; Beethoven's sketches for "Sehnsucht"(WoO 146); "Eroica" perspectives - strategy and design in the first movement;the earliest sketches for the "Eroica" symphony; the compositional genesis ofthe "Eroica" finale; planning the unexpected - Beethoven's sketches for thehorn entrance in the "Eroica" symphony, first movement; the problem ofclosure - some examples from the middle period chamber music; process versuslimits - a view of the Quartet in F Major, Opus 59 No. 1; on the cavatina ofBeethoven's String Quartet in B-flat Major, Opus 130; Beethoven's autographmanuscripts and the modern performer. Appendices: physical features of theautograph manuscript of Opus 69, first movement; Beethoven's correspondenceon the text of Opus 69; use of additional staves in the autograph of Opus 69;provisional list of variants in the autograph of Opus 69.