内容

目次

Part 1: variations on a concept; Andre Gide's shields; a criticalheritage; triple meaning. Part 2 Towards a typology of the mirror inthe text: "mise en abyme" and reflexivity; fiction and its doubles;narration revealed; the spectacle of the text and the code; theemergence of types. Part 3 Diachronic perspectives: the "mise en abyme"and the nouveau roman; the "mise en abyme" and the new nouveau roman.