内容

目次

Preface; Introduction; Chapter One - Contour and Convention; Contour;Convention; Chapter Two - Emotivism; Objectless Feelings; Sympathy, Empathy,or Identification?; Conclusion; Chapter Three - Music's Arousal of Emotion;Why Hanslick is Wrong; Music's Arousal of Emotion; Chapter Four - TheAdvantages of the New Arousalist Position; Chapter Five - Emotion, Judgementand Desire; Why the Standard Judgementalist View of Emotion is Untenable;Desire and Intentional Feeling; Chapter Six - Pleasure and Emotion; TheThreat of Hedonism; Pleasure as a Mode of Attention; A Resolution of theConflicting Positions; The Analysis of Pleasure and Music's Expression ofEmotion; The Indispensability of the Notion of Intentional Feeling;Reaon-Following Desire, and Taking Pleasure in what has Objective Value;Chapter Seven - The Nature of Emotion; The Relation between the Affective andthe Intentional Components of Emotion; The Nature of Emotion and Music'sExpression of Emotion; Chapter Eight - Music's Expression of Emotion; Emotionin Musical and Non-musical contexts; Hanslick Again; Are there any Emotionsthat Music Cannot Express?; Some Remaining Difficulties; Chapter Nine -Retrospect; Bibliogrraphy; Index.