目次

Foreword i; Preface iii; Acknowledgements xiii; 1. Introduction: Towardsa cognitive model of musical listening 1; Musical thinking and cognitivedecision-making 3; Neural network modeling 12; The biological validity ofneural network models 18; Neural network models as metaphors 23; Musicdecision-making and neural network modeling 28; 2. A concept model of musicalthinking 33; Music decision-making: first estimate 36; A pseudo-computationalexample of the pattern-comparison neural network model 47; 3. A supervisedmodel of musical learning 55; Constructing the music connectionist networkmodel 60; Vector coding and pattern preparation 60; Introduction to theexperiments 75; Experiment 1 76; Applying the results of experiment 1 to theneural network model 80; Experiment 2 84; Applying the results of experiment2 to the neural network model 84; 4. Musical interpretation and expression89; Musical interpretation 92; Musical expression 95; Category 1 variables97; Category 2 variables 100; Categorical perception of musicalinterpretation and expression 108; 5. Musical reasoning 119; A conceptualmodel of musical reasoning 120; A neural network model of musical reasoning124; A "Harmony" model 126; Experiment 3 129; Pattern discrimination andmusical reasoning combined 136; Experiment 4 142; 6. Is music cognitionlimited to three decision-types? 147; An unsupervised model of musicaldecision-making 149; Adaptive Resonance theory 150; Adaptive Resonance Theoryand music cognition 154; ART analysis of the set of patterns 155; Tonalversus rhythmic bias 162; Experiment 5: ART analysis and human listeners 164;7. Beyond neural networks 171; The effects of culture on performance 172;Musical imagery 174; Musical memory 182; Lateral musical thinking 185;Context and perception 186; Musical learning 190; References 193; Index 209;