内容

目次

General Editor's Note * Kimball King * Acknowledgments * Indtroduction * Reade W. Dornan * Chronology * I.The Politics in Arnold Wesker's Plays * The Trilogy, Forty Years On, Keith Gore * The Failure and Promise of "Socialism as Personal Contact" in Arnold Wesker's Roots, Kevin G. Asman * Arnold Wesker and the Desire for Utopia: Utopia's Enemies and Wesker, Heiner O. ZimmermannII. Biographical NotesArnold Wesker, Margaret Drabble * Vision and Reality: Their Very Own and Golden City and Centre 42, Clive Barker * Well-nigh Wesker, Paul Levitt * Writing for Radio and Radio for Writing: Yardsale by Arnold Wesker, Alessandra MarzolaIII. Historical Perspectives * The Modernity of The Kitchen, Kimball King * Wesker's One-Woman Plays as Part of a Popular Tradition, Margaret Rose * Histories of the New Left: Arnold Wesker and the Angrier Young Men, Meenakshi PonnuswamiIV. Critical Approaches * Whatever Happened to Betty Lemon? Theatre Translation: Theory and Practice, Rossana Bonadei * Dialogic and Monologic Contexts in Arnold Wesker's Monologues and Monodramas, Klaus Peter Mÿller * Arnold Wesker and Women: His Later Plays, Glenda Leeming * Realistic Directions for Wesker's Stage, Angela Locatelli * Chips with Everything: A Snob's Progress?, Martin Priestman * Wisdom in Fragments: The Old Ones, Robert GrossV. The Critical Response * The Four Seasons, Robert Wilcher * Wesker: Searching the Oneness Time, Robert Skloot * Contributors * Index