目次

Criticism and Analysis"Home in Harlem, New York: Lessons from the Harlem Renaissance Writers." Proceedings of the Modern Language Association 105 (1990), Sidney H. Bremer * "Myth and History: Discourse of Origins in Zora Neale Hurston and Maya Angelou." Black American Literature Forum 24 (1990), Elizabeth Fox-Genovese * "The Talking Frame of Zora Neale Hurston's Talking Book: Storytelling as Dialect in Their Eyes Were Watching God." College Language Association Journal 37 (1994), Cathy Brigham * "Rereading Claude McKay." College Language Association Journal 34 (1990), P.S. Chauhan * "Constructing and Reconstructing Afro-American Texts: The Critic as Ambassador and Referee." American Literary History 1 (1989), Wahneema Lubiano * "Black Theater and Drama in the 1920s: Years of Growing Pains." The Massachusetts Review 28 (1987), Nellie McKay * "Passing for What? Aspects of Identity in Nella Larsen's Novels." Black American Literature Forum 20 (1986), Cheryl A. Wall * "Race and Gender in the Shaping of the American Literary Canon: A Case Study from the Twenties." Feminist Studies 9 (1983), Paul Lauter * "Modernism and the Harlem Renaissance." American Quarterly 39 (1987), Houston A. Baker, Jr. * "The Harlem Renaissance: A Revisionist Approach." Focus on Robert Graves and His Contemporaries 1 (1991), Crystal J. Lucky * The Harlem Renaissance: An International Perspective"African and Black American Literature" In For Better or Worse: American Influence in the World (Westport: Greenwood Press, 1981), Mbulamwanza Mudimbe-Boyi *"Survival and Song: Women Poets of the Harlem Renaissance." Women's Studies (Great Britain) 16 (1989), Maureen Honey * "The Harlem Renaissance and the American Twenties." American Studies in Scandinavia [Norway] 19 (1987), Carl Pedersen * "With 'Banjo' By My Bed: Black French Writers Reading Claude McKay." Caribbean Quarterly [Jamaica] 38 (1992), Bridget Jones * "Harlem: Entrance and Initiation." The Future of American Modernism (1990), Christopher Mulvey * "A Vision of Black Culture in Two Novels by Claude McKay." American Studies in Scandinavia [Denmark] 23 (1991), Manfred Wolf * "About Us, for Us, near Us: The Irish and Harlem Renaissances." fire-Ireland: A Journal of Irish Studies 16 (1981), Brian Gallagher * "Zora Neale Hurston, the Black Woman Writer in the Thirties and Forties (Parts 1 and 2) European Contributions to American Studies [Netherlands] 18 (1990), Luisanna Fodde and Paola BoiThe Politics and Aesthetics of the Harlem Renaissance"The Crusader Monthly's Black Nationalist Support for the Jazz Age." Afro-Americans in New York Life and History 15 (1991), Ted Vincent * "Carl Van Vechten, Blanche Knopf, and the Harlem Renaissance." Library Chronicle of the University of Texas, Austin 22 (1992), Peter Flora * "Patronage and the Harlem Renaissance: You Get What You Pay For." College Language Association Journal 32 (1989), Ralph D. Story * "Jean Toomer and the Politics and Poetics of National Identity." Contributions in Black Studies 7 (1985-1986), Onita Estes-Hicks * "Marcus Garvey and the Harlem Renaissance." Afro-Americans in New York Life and History 10 (1986), John Runcie * "Alain Locke and Walter White: Their Struggle for Control of the Harlem Renaissance." Black American Literature Forum 14 (1980), Charles W. Scruggs * "Gender and Ambition: Zora Neale Hurston in the Harlem Renaissance." The Black Scholar 20 (1989), Ralph D. Story * "Three Notes Toward a Cultural Definition of the Harlem Renaissance." Callaloo 14 (1991), Gerald Early * "Masks and Masquerade: The Iconography of the Harlem Renaissance. The Midwest Quarterly 35 (1993), Patti Capel SwartzThe Writers and Poets of the Harlem Renaissance"Black Poets, White Patrons: The Harlem Renaissance Years of Langston Hughes." Crisis88 (1981), Faith Berry * "Two Black Poets and Their Legacy." Crisis 87 (1980), Henry F. Winslow, Sr. * "Flower-Dust and Springtime: Harlem Renaissance Women." Radical Teacher: A Newsjournal of Socialist Theory and Practice 18 (1980), Sharon Dean and Erlene Stetson * "Georgia Douglas Johnson and May Miller: Forgotten Playwrights of the New Negro Renaissance." College Language Association Journal 33 (1990), Jeanne-Marie A. Miller * "The Origins of Poetry in Langston Hughes." Southern Review 21 (1985), Arnold Rampersad * "African-American Women Artists: An Historical Perspective." Sage: A Scholarly Journal on Black Women 4 (1987), Arna Alexander Bontemps and Jacqueline Fonvielle-Bontemps * "Zora Neale Hurston and Alice Walker: A Spiritual Kinship." Sage: A Scholarly Journal on Black Women 2 (1985), Alma S. Freeman * "Gwendolyn Brook's A Street in Bronzeville, The Harlem Renaissance and the Mythologies of Black Women." MELUS10 (1983), Gary Smith * "Jean Toomer and the 'New Negroes' of Washington." American Literature: 63 (1991), George B. Hutchinson