著者紹介

内容

目次

Part 1 Renewal and innovation: Shakespeare and the formation of romanticdrama in Germany and France, Lilian R. Furst; the reception of the Spanishtheatre in European romanticism, Douglas Hilt; "theatre in the theatre" and"world theatre" - play thematics and the breakthrough of romantic drama,Frederick Burwick; assimilation and adaptation of existing forms in drama ofthe romantic period, W.D. Howarth. Part 2 Themes, styles, structures:Shakespeare refracted - writer, audience and rewriter in French and Germanromantic translations, Andre Lefevere; folklore and romantic drama, MiroslavJ. Hanak and Nadezda Andreeva-Popova; nationalism and the romantic drama inEurope, Marvin Carlson; romantic redefinitions of the tragic, Jeffrey N. Cox;the romantic tragedy of fate, Gerhart Hoffmeister; empathy and distance -German romantic theories of acting reconsidered, Gloria Flaherty; what isromantic opera? - toward a musico-literary definition, Ulrich Weisstein. Part3 Affinity, dissemination, reception: the Italian romantic drama in itsEuropean context, Marvin Carlson; romantic drama in the Hispanic world - thepicturesque mode, John Dowling; Polish romantic drama in perspective, HaroldB. Segel; Russian romantic drama - the case of Griboedov, AlexanderGershkovich; romanticism in genres of drama in Bohemia, Hana Voisine-Jechova;romantic drama in Hungary, Mihaly Szegedy-Maszak; romantic trends inScandinavian drama, George Bisztray; from dark into light - 19th-centuryromantic drama in English-Canada; 19th-century American drama - a romanticquest, Dinnah Pladott; the romantic theatre in Hispanic America, EmilioCarilla. Part 4 The romantic legacy: classic vision in the romantic age -Goethe's reconstitution of European drama in "Faust II"; romantic irony andBiedermeier tragicomedy, Virgil Nemoianu; romantic cosmic drama, MartinEsslin; the past is prologue - the romantic heritage in dramatic literature,Gerald Gillespie.