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List of illustrations Notes on contributors Acknowledgements Foreword(Bill Nichols) Introduction (Jill Nelmes) Part One: Approaches to StudyingCinema 1 Rediscovering Film Studies: New Starting Points (Patrick Phillips)Part Two: Cinema as Institution : Industries, Technologies and Audiences 2The Industrial Contexts of Film Production (Searle Kochberg) Part Three:Approaches to Studying Film Texts 3 Film Form and Narrative (Suzanne Speidel)4 Approaches to Cinematic Authorship (Paul Watson) 5 Genre Theory andHollywood Cinema (Paul Watson) 6 Stardom and Hollywood Cinema (Paul Watson) 7Spectator, Audience and Response (Patrick Phillips) Part Four: Other GenreForms 8 The Documentary Form (Paul Ward) 9 The Language of Animation (PaulWells) Part Five: Cinema, Identities and the Politics of Representation 10Gender and Film (Jill Nelmes) 11 Lesbian and Gay Cinema (Chris Jones) 12Ethicity, Race and Cinema - African American Film (Terri Francis) Part Six:Cinema, Nationhood, and National Identities Studying National Cinema: CaseStudies 13 British Cinema (Lawrence Napper) 14 Indian Cinema (LalithaGopalan) National Cinemas: Art, Politics and the Avant-Garde 15 SovietMontage Cinema of the 1920s (Mark Joyce) 16 French New Wave (Chris Darke)Glossary Bibliography Index