内容

目次

Introduction  Bettina Kümmerling-Meibauer and Astrid Surmatz  I. Different Aspects of the International Reception  1. Pippi Longstocking in the United States: Representations and Reception  Eva-Maria Metcalf  2. Pippi Longstocking in South Africa: Translation and Reception  Rolf Annas  3. We Love What We Know: The Canonicity of Pippi Longstocking in Different Media in Flanders  Sara van den Bossche  II. Intermedial Studies: Films  4. Re-making the National Past: The Uses of Nostalgia in the Astrid Lindgren Films of the 1980s and 1990s  Anders Åberg  5. Intermediality in Children’s Literature: Reflections of Adult Relationships in the Film "Ronia, the Robber’s Daughter"  Tobias Kurwinkel and Philipp Schmerheim  6. Bill Bergson, a Political Statement or a Symbol of Swedishness? A Comparison of Astrid Lindgren’s Bill Bergson Texts with the 1990s Film Adaptations  Corina Löwe  III. Intermedial Studies: Illustrations and Picture Books  7. Visualizing People: Multimodal Character Construction in Astrid Lindgren’s Work  Maria Nikolajeva  8. Astrid Lindgren’s Picturebooks: One Text -- Two Illustrators  Agnes Bjorvand  9. Photographical Picture Books by Anna Riwkin-Brick and Astrid Lindgren  Helene Ehriander  10. To Mirror the Real: Ideology and Aesthetics in Photographic Picturebooks  Elina Druker  IV. Intermedial Studies: Music, Sculpture, and Architecture  11. In Heaven There Is Great Joy: Folk Song Tradition in the Writings of Astrid Lindgren  Magnus Gustafsson  12. The Sound and Music of Astrid Lindgren  Björn Sundmark  13. Disbeliefs in the Sculptural Imagination: On Theatricality and Intermediality in the Astrid Lindgren Memorials  Jens Arvidson  14. Astrid Lindgren’s World in Vimmerby – a "Total Work of Art"?  Heidrun Führer