Beyond the Soundtrack: Representing Music in Cinema. cloth 304 p.
目次
List of Illustrations Introduction: Phonoplay: Recasting Film Music PARTI. MUSICAL MEANING 1. The Boy on the Train, or Bad Symphonies and GoodMovies: The Revealing Error of the "Symphonic Score" Peter Franklin2. Representing Beethoven: Romance and Sonata Form in Simon Cellan Jones'sEroica Nicholas Cook 3. Minima Romantica Susan McClary 4. Melodic Trains:Music in Polanksi's The Pianist Lawrence Kramer 5. Mute Music: Polanski's ThePianist and Campion's The Piano Michel Chion PART II. MUSICAL AGENCY 6.Opera, Aesthetic Violence, and the Imposition of Modernity: FitzcarraldoRichard Leppert 7. Sight, Sound, and the Temporality of Myth Making inKoyaanisqatsi Mitchell Morris 8. How Sound Floats on Land: The Suppressionand Release of Folk and Indigenous Musics in the Cinematic Terrain PhilipBrophy 9. Auteur Music Claudia Gorbman 10. Transport and Transportation inAudiovisual Memory Berthold Hoeckner 11. The Fantastical Gap between Diegeticand Nondiegetic Robynn J. Stilwell PART III. MUSICAL IDENTITY 12. Early FilmThemes: Roxy, Adorno, and the Problem of Cultural Capital Rick Altman 13.Before Willie: Reconsidering Music and the Animated Cartoon of the 1920sDaniel Goldmark 14. Side by Side: Nino Rota, Music, and Film Richard Dyer 15.White Face, Black Noise: Miles Davis and the Soundtrack Krin Gabbard 16. Menat the Keyboard: Liminal Spaces and the Heterotopian Function of Music GaryC. Thomas Notes on Contributors Index of Films Cited Works Cited General Index
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