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目次

Editor's preface Simon P. Keefe; Prelude: 1. The musical map of Europec. 1700 STEPHEN ROSE; Part I. Music for the Church: 2. Catholic church musicin Italy, and the Spanish and Portuguese Empires PAUL R. LAIRD; 3. Catholicsacred music in Austria JEN-YEN CHEN; 4. Catholic church music in FranceJEAN-PAUL C. MONTAGNIER; 5. Lutheran church music STEPHEN ROSE; 6. Protestantchurch music in England and America CHARLES E. BREWER; Interlude; 7.Listening, thinking and writing DAVID SCHROEDER; Part II. Music for theTheatre: 8. Italian opera in the eighteenth century MARGARET R. BUTLER; 9.Opera in Paris from Campra to Rameau LOIS ROSOW; 10. An instinct for parodyand a spirit for revolution: Parisian opera, 1752-1800 MICHAEL FEND; 11.German opera from Richard Keiser to Peter Winter CLAUDIA MAURER ZENCK,translated by Anke Caton and Simon P. Keefe; 12. The lure of aria, processionand spectacle: opera in eighteenth-century London MICHAEL BURDEN; 13. Musictheatre in Spain RAINER KLEINERTZ; 14. Opera in Sweden GREGER ANDERSSON;Interlude; 15. Performance in the eighteenth century JOHN IRVING; Part III.Music for the Salon and Concert Room: 16. Keyboard music from Couperin toearly Beethoven ROHAN STEWART-MACDONALD; 17. The Serenata in the eighteenthcentury STEFANIE TCHAROS; 18. Private music in public spheres: chambercantata and song BERTA JONCUS; 19. Handel and English oratorio EVA ZOLLNER;20. The Overture-Suite, Concerto Grosso and Harmoniemusik in the eighteenthcentury STEVEN ZOHN; 21. Concerto of the individual SIMON MCVEIGH; 22.Eighteenth-century symphonies: an unfinished dialogue RICHARD WILL; 23. Thestring quartet CLIFF EISEN; Postlude: 24. Across the divide: currents ofmusical thought in Europe, c. 1790-1810 SIMON P. KEEFE; Appendix 1:Personalia DAVID BLACK; Appendix 2: Chronology DAVID BLACK; Appendix 3:Institutions in major European cities DAVID BLACK.