内容

目次

Introduction; 1. A passing of worlds: Gurrelieder as Schoenberg'sreluctant farewell to the nineteenth century; 2. Dialectical opposition inSchoenberg's music and thought; 3. Dramatic conflict in Pelleas undMelisande; 4. Motive and memory in Schoenberg's First String Quartet; 5.Uncanny expressions of time in the music of Arnold Schoenberg; 6. The tonerow as the source of dramatic conflict in Moses und Aron; 7. The String Trio:metaleptic Schoenberg; Notes; Bibliography; Indexes.