内容

目次

Preface; Glossary; 1. Styles and ideas; 2. A Heideggerian refinement ofShenker's theory; 3. Immuring and immured tonalities: tonal malaise in theFirst Symphony, Op. 55; 4. 'Fracted and corroborate': narrative implicationsof form and tonality in Falstaff, Op. 68; 5. Hermeneutics and mimesis; 6. Theannihilation of hope and the unpicking of identity: Elgarian hermeneutics; 7.Modern music, modern man; Bibliography.