内容

目次

Series Preface; Introduction, Sara L. Spurgeon (Texas Tech University,USA); Part I: All the Pretty Horses (1991); Introduction; 1. "This is AnotherCountry": The Complex Feminine Presence in All the Pretty Horses, LindaWoodson (The University of Texas at San Antonio, USA); 2. A Case ofMaladaptation: All the Pretty Horses, One Rough Ride from National Book AwardWinner to Film-Flam David N. Cremean (Black Hills State University;Spearfish, USA) \; 3. Hang and Rattle: John Grady Cole's Horsebreaking inTypescript, Novel, and Film, Stacey Peebles (University of Houston, USA);Part II: No Country for Old Men (2005); Introduction; 4. "Mercantile Ethics":No Country for Old Men and the Narcocorrido, Stephen Tatum (University ofUtah, Salt Lake City, USA); 5. "Do you see?" Elliptic Levels in No Countryfor Old Men, Jay Ellis (University of Colorado at Boulder, USA); 6. Evil,Mood, and Reflection in the Coen Brothers' No Country for Old Men, Dan Flory(Montana State University, USA); Part III: The Road (2006); Introduction; 7."Everything uncoupled from its shoring": Quandaries of Epistemology andEthics in The Road, Donovan Gwinner (Black Hills State University; Spearfish,USA); 8. "Barren, silent, godless": Ecodisaster and the Post-AbundantLandscape in The Road, Susan Kollin (Montana State University, Bozeman, USA);9. He Ought Not Have Done It: McCarthy and Apocalypse, Dana Phillips (TowsonUniversity, USA); Further Reading; Notes on Contributors; Index.