目次

Introduction PART 1: The Materiality of Song  1. The Codex Buranus, or The First Chansonnier  2. Parchment Poesis in Guillaume de Machaut’s “Prologue”  3. Imaginary Chansonniers: Song, Desire, and Materiality in Vitsentzos Kornaros’ Erotokritos  PART 2: Songs, Books, Society  4.  Verbal and Visual Paratexts: Strategies in Shaping Music Books in the Trecento Florentine Manuscript Tradition  5. Formes of Intimacy: Miniaturisation and Sociability in the Fifteenth-Century Chansonnier  6. The Materiality of Musical Knowledge in Sixteenth-Century Textbooks: Appropriation, Personalisation, and Self-Representation  7. The Modern Music Edition as Material Histor(iograph)y  PART 3: Picturing Sound, Hearing Images  8. Secular Sounds in Late Medieval Lives of Saints and Their Pictorial Representations  9. The Sounds of Poliphilo and Polia  10. The Domestic Life of the Syrinx  PART 4: Musical Objects  11. Music, Heraldry and Material Culture in the Late Middle Ages: Ars Nova Songs for Louis I of Anjou and Bertrand du Guesclin  12. Negotiating Identity and Status: Musicalia in the Relational Strategies of Duke Guidubaldo II della Rovere  13. Sacred Music Books Desacralised: Material Perspectives on Musical Fragments