内容

目次

Introduction; Part I. Theory: 1. Sources of information; 2. Principles of mensural notation; 3. Definitions and descriptions of Tactus; 4. Tactus and rhythm; 5. Tactus and signs in fifteenth-century music theory; 6. Tactus and signs in sixteenth-century music theory; 7. Tactus and tempo; Part II. Practice: 8. The songs of Du Fay; 9. The L'homme armé masses of Ockeghem, Busnoys, and Josquin; 10. The five- and six-voice motets of Josquin; 11. The Choralis Constantinus of Isaac; 12. The masses of Palestrina; 13. The madrigals of Rore; 14. Popular songs and dances; Conclusion.