内容

目次

Introduction; 1. Early graphs, 1950-3; 2. Later graphs, 1958-67; 3. Notation; 4. Ideology; 5. Holism; 6. Compositional methods I; 7. Compositional methods II; 8. Non-notated preferences; 9. Tudor's performances; 10. Connections with works in other notations; 11. Moving on; Epilogue; Appendix 1. Two unpublished graphs; Appendix 2. Other perspectives on compositional methods.