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目次

General Introduction Jane Kromm Part One: Revolt and RevolutionIntroduction Chapter 1: Helen Weston, 'The Politics of Visibility inRevolutionary France: Projecting on the Streets' Chapter 2: Richard Taws,'19th c. Revolutions and Strategies of Visual Persuasion' Chapter 3:Elizabeth Guffey, 'Socialist Movements and the Development of the PoliticalPoster' Chapter 4: Jelena Stojanovia, 'Avant-gardes and the Culture ofProtest: The Use-Value of Iconoclasm' Part Two: Science and EmpiricismIntroduction Chapter 5: Jane Kromm, 'To Collect is to Quantify and Describe:Visual Practices in the Development of Modern Science' Chapter 6: FaeBrauer, 'The Transparent Body: Biocultures of Evolution, Eugenics, andScientific Racism' Chapter 7: Heather McPherson, 'Biology and Crime:Degeneracy and the Visual Trace' Chapter 8: Nancy Anderson, 'Visual Modelsand Scientific Breakthroughs; The Virus and the Geodesic Dome: Pattern,Production, Abstraction and the Ready-Made Model' Part Three: Gaze andSpectacle Introduction Chapter 9: Temma Balducci, 'Gaze, Body andSexuality: Modern Rituals of Looking and Being Looked at' Chapter 10: JaneKromm, 'The Flaneur/Flaneuse Phenomenon' Chapter 11: Elana Shapira, 'Gazeand Spectacle in the Calibration of Class and Gender: Visual Culture inVienna 1900' Chapter 12: Fae Brauer, 'The Stigmata of Abjection: DegenerateLimbs, Hysterical Skin and the Tattooed Body' Part Four: Acquisition,Display, and Desire Introduction Chapter 13: Jane Kromm, 'To the Arcade:The World of the Shop and the Store' Chapter 14: Amy Ogata, '"To See is toKnow:" Visual Knowledge at the International Expositions' Chapter 15: SusanBakewell, 'Changing Museum Spaces: From the Prado to the Guggenheim Bilbao'Chapter 16: Michael Golec, 'Design for a Display Culture: DomesticEngineering to Design Research' Part Five: Conquest, Colonialism, andGlobalization Introduction Chapter 17: Matthew Potter, 'Orientalism and itsVisual Regimes: Lovis Corinth and Imperialism in the Art of the Kaiserreich'Chapter 18: Marcus Wood, 'Marketing the Slave Trade: Slavery, Photography andEmancipation' Chapter 19: Kim Masteller, 'Cultures of Confiscation: TheCollection, Appropriation and Destruction of South Asian Art' Chapter 20:Nada Shabout, 'Trading Cultures: The Boundary Issues of Globalization'Part Six: Image and Reality Introduction Chapter 21: Joy Sperling,'Multiples and Reproductions: Prints and Photographs in 19th c. England;Visual Communities, Cultures, and Class' Chapter 22: Jane Kromm, 'Inventingthe Mise-en-scene: German Expressionism and the Silent Film Set' Chapter23: Sarah Warren, 'The Reality of the Abstract Image: Re-thinkingSpirituality in Abstraction' Part Seven: Media and Visual TechnologiesIntroduction Chapter 24: Brenda DeMartini-Squires, 'Now You See It:Disinformation and Disorientation on the Internet' Chapter 25: KathrynShields, 'Carnival Mirrors: The Hermetic World of the Music Video' Chapter26: Matt Ferranto, 'Digital Self-fashioning in Cyberspace: The New DigitalSelf-Portrait' Chapter 27A: Martin Danahay, 'Video Games: Art, Cinema andInteractivity' Chapter 27B: Chris Kaczmarek, 'What You See is What You Get,or Reality is What you Take From It'