内容

目次

List of Illustrations viii Acknowledgements xiii Notes on Contributors xiv Part 1 Editors’ Introduction 1 Part 2 General 11 1 The “Englishness” of English Art Theory 13 Mark A. Cheetham 2 Modernity and the British 38 Andrew Ballantyne 3 English Art and Principled Aesthetics 60 Janet Wolff Part 3 Institutions 77 4 “Those Wilder Sorts of Painting”: the Painted Interior in the Age of Antonio Verrio 79 Richard Johns 5 Nineteenth–Century Art Institutions and Academies 105 Colin Trodd 6 Crossing the Boundary: British Art across Victorianism and Modernism 131 David Peters Corbett 7 British Pop Art and the High/Low Divide 156 Simon Faulkner 8 When Attitudes Became Formless: Art and Antagonism in the 1960s 180 Jo Applin Part 4 Nationhood 199 9 Art and Nation in Eighteenth–Century Britain 201 Cynthia Roman 10 International Exhibitions: Linking Culture, Commerce, and Nation 220 Julie F. Codell 11 Itinerant Surrealism: British Surrealism either side of the Second World War 241 Ben Highmore 12 55° North 3° West: a Panorama from Scotland 265 Tom Normand 13 Retrieving, Remapping, and Rewriting Histories of British Art: Lubaina Humid’s “Revenge” 289 Dorothy Rowe Part 5 Landscape 315 14 Defining, Shaping, and Picturing Landscape in the Nineteenth Century 317 Anne Helmreich 15 Theories of the Picturesque 351 Michael Charlesworth 16 Landscape into Art: Painting and Place–Making in England, c.1760–1830 373 Tom Williamson 17 Landscape Painting, c.1770–1840 397 Sam Smiles 18 Landscape and National Identity: the Phoenix Park Dublin 422 Dana Arnold Part 6 Men and Women 449 19 The Elizabethan Miniature 451 Dympna Callaghan 20 “The Crown and Glory of a Woman”: Female Chastity in Eighteenth–Century British Art 473 Kate Retford 21 Serial Portraiture and the Death of Man in Late–Eighteenth–Century Britain 502 Whitney Davis 22 Virtue, Vice, Gossip, and Sex: Narratives of Gender in Victorian and Edwardian Painting 532 Pamela M. Fletcher Index 552