内容

目次

1. Introduction; 2. A view on humour theory (by Dynel, Marta); 3. PART I. New humour frameworks and extensions; 4. From perception of contraries to humorous incongruities (by Canestrari, Carla); 5. Okras and the metapragmatic stereotype of humour: Towards an expansion of the GTVH (by Tsakona, Villy); 6. Signals of humor: Encryption and laughter in social interaction (by Flamson, Thomas J.); 7. Comic nescience: An experimental view of humour and a case for the cultural negotiation function of humour (by Sehmby, Dalbir); 8. PART II. New theoretical issues in humour studies; 9. Impoliteness as disaffiliative humour in film talk (by Dynel, Marta); 10. Giving voice to the studio audience: Ratified and dynamic participation statuses in a television comic monologue (by Cain, Sarah); 11. Negotiating humorous intent (by Jongste, Henri de); 12. Perspective-clashing as a humour mechanism in narratives (by Mayerhofer, Bastian); 13. Jokes in the syntax of music: An interdisciplinary comparison of humour in music and language (by Goeth, Maria); 14. PART III. New theoretical approaches to established forms of humour; 15. Decoding encoded (im)politeness: "Cause on my teasing you can depend" (by Sinkeviciute, Valeria); 16. When does irony tickle the hearer?: Towards capturing the characteristics of humorous irony (by Dynel, Marta); 17. "Chocolate radiators" and "Cardboard bank vaults": Identifying patterns of subversion in ironic similes (by Veale, Tony); 18. Garden path jokes as probabilistic reasoning towards a relevant interpretation (by Mayerhofer, Bastian); 19. Satire in a mediated world: New theoretical introspections (by Popa, Diana E.); 20. It's not funny out of context: A cognitive stylistic approach to humorous narratives (by Marszalek, Agnes)