目次

Introduction: Digital Humanities in Performance Research: Creating Knowledge, Sharing 　Nic Leonhardt 　New Wine in Old Bottles? Historicity and Future of a New Field 　Nic Leonhardt & N. N. (Julie Holledge) Section 1 Exploring the Field - DH Projects in Theatre and Performance Studies Intro Ausstage – Researching Australian Live Performance Jenny Fewster & Julian Meyrick (Australia) DH and Musical Theatre: Rehearsing Technologies, Creating Communities Laura Macdonald (England) Global Networks as Stages: Mapping Theatre Histories Nic Leonhardt & Tobias Englmeier (Germany) Wagner’s Worldwide Web - Gero Toegl (Germany) Playwrights: Henrik Ibsen, Ibsenstage - Frode Helland (Norway)Playwrights: The Beckett Archive - Anna McLulllan (Ireland) Playwrights: Shakespeare all over - Sandra Pietrini (Italy) DH & Intermedial Scholarship in Theatre Studies 　Miguel Escobar (Singapore) Dance: Forsythe Zero One - Scott deLahunta (Germany) Dance: Pina digital - Sharon Lehner (BAM, USA) Performance: Per Exemplum the Memory Booth meLê yamomo (The Netherlands) Digital Historiography of Media Technology : the Art of Projection Martin Loiperdinger & Ludwig Vogl-Bienek ‘Digital Theatre, Digital Practice?’ A Dialogue with a representative of the International Theatre Institute (ITI) Nic Leonhardr & N.N.　 Section 2: Methodologies: DH and Theatre Scholarship Intro Digital Theatre Historiography - Sarah Bay-Cheng (USA, Univ. of Buffallo) Quantity versus Quality? - Julian Meyrick (Australia) Reconstruction reloaded? DH, Virtual Realities and 3D visualizations of historical venues 　Dominique Lauvernier/ N.N. Analyzing Theatrical Performances through DH - Patrick Lonergan (Ireland) Graphs, Maps, Trees and Theater History - Derek Miller (USA) Theatre Research and Big Data - Clarisse Bardiot (France) Data Visualization and Theatre Studies - Debra Caplan (USA) ‘Can DH unite the world of theatre scholars?’ A conversation with Christopher Balme, president of the International Federation for Theatre Research 　Nic Leonhardt in dialogue with Christopher B. Balme　 Section 3 Digitizing the Ephemeral – Archiving & Preservation Intro Digital Curation at Theatre Libraries - Doug Reside (NYPL, Billy Rose Collection) Digital Custody - The V&A’s Theatre and Performance Collection Ramona Riedzweski (Victoria & Albert) 　The European Collected Library of Artistic Performance (ECLAP) Peter Eversmann (Univ. of Amsterdam, Netherlands) Archiving Dance - Dance Archive Cologne N.N.) Digital Theatre - Online Collections - Nic Leonhardt / N.N. ‘Can DH finally help us to fix, record and reconstruct the ephemeral?’ A conversation with representatives of SIBMAS, TLA, and Curators Nic Leonhardt & N.N.　 Section 4: DH in Higher Education Intro Digitizing the Classroom - N.N. DH in Theatre and Performance Research: How to develop a curriculum Yong Li Lan (Singapore) Where Research meets Teaching: best practice DH projects with students N.N. ‘Can we digitize Theatre Education?’ A talk with Peter Eversmann (or another founder of ECLAP) Nic Leonhardt in dialogue with Peter Eversmann Bibliography Glossary Index