内容

目次

Volume I: Formative Years, 1887-1916 Education, Apprenticeship and Early Travels 1. H. Allen Brooks, ‘Le Corbusier’s Formative Years at La Chaux-de-Fonds’, in H. Allen Brooks (ed.), Le Corbusier, (Princeton: Princeton University Press, 1987), pp. 27-45. 2. Giuliano Gresleri, ‘Home-Ties—Adrift Abroad: The Oriental Journey of CH. Jeanneret’, Daidalos, 15, (March 1986), pp. 102-111. 3. Christoph Schnoor, ‘Munich to Berlin: The Urban Space of German Cities’, in Jean-Louis Cohen, (ed.), Le Corbusier: An Atlas of Modern Landscapes, (London: Thames and Hudson, 2013), pp. 85-90. 4. Le Corbusier, ‘The Parthenon’, in Journey to the East, trans I. Zaknic, (Cambridge, Mass.: MIT Press, 1987), pp. 209-239, 263-266. Early Projects and Themes 5. Jacques Grubler, ‘From Feeling to Reason: Jeanneret and Regionalism’, in Le Corbusier: Early Works by Charles-Edouard Jeanneret-Gris, (New York: St. Martin’s, 1987), pp. 112-119. 6. Geoffrey Baker, ‘The Early Villas in La Chaux-de-Fonds by Charles-Edouard Jeannneret-Gris’, in Le Corbusier: Early Works by Charles-Edouard Jeanneret-Gris, (New York: St. Martin’s, 1987), pp. 8-24. 7. Peter Serenyi, ‘Le Corbusier, Fourier, and the Monastery of Ema’, Art Bulletin, (Dec. 1967), pp. 277-286. 8. Peter Eisenman, ‘Aspects of Modernism: Maison Dom-ino and the Self-Referential Sign’, Oppositions, no. 15/16, (Winter/Spring 1979), pp. 118-128. Toward an Architecture 1917-1929 Transitional Years: Amedée Ozenfant, Purism, L’Esprit Nouveau 9. H. Allen Brooks, ‘The Transitional Years: Jeanneret’s Move to Paris 1917-1920’, in Le Corbusier’s Formative Years: Charles-Edouard Jeanneret at La Chaux-de-Fonds, (Chicago: University of Chicago Press, 1997), pp. 471-503. 10. Le Corbusier and Amédée Ozenfant, ‘Purism’, in Robert L. Herbert, (ed.), Modern Artists on Art: Ten Unabridged Essays, (Englewood Cliffs: Prentice-Hall, Inc., 1964), pp. 58-73. 11. M. Christine Boyer, ‘A Method for the Arts of Today: Purism, Après le Cubisme, and L’Esprit Nouveau’, in Le Corbusier, homme de lettres, (New York: Princeton Architectural Press, 2011), pp. 261-276, 725-727. 12. Kenneth E. Silver, ‘Ars Longa’, in Purism and the Spirit of Synthesis, (New York: Barbara Mathes Gallery, 1986). Vers une architecture, 1923 13. Le Corbusier, ‘Argument’, ‘Three Reminders To Architects: Volume’, and ‘Eyes That Do Not See: Liners’, in Toward an Architecture, trans. J. Goodman, (Los Angeles: Getty Research Institute, 2007), pp. 85-89, 99-106, 145-158, 308-310, 317-319. 14. Frederick Etchells, ‘Introduction’, in Le Corbusier, Towards a New Architecture, trans. F. Etchells, (New York: Payson & Clark, 1927), pp. v-xvii. 15. Peter Collins, ‘The Mechanical Analogy’, in Changing Ideals in Modern Architecture, (Montreal: McGill-Queen’s University Press, 1967), pp. 164-166. Purist Villas 16. Richard A. Etlin, ‘A paradoxical avant-garde: Le Corbusier’s villas of the 1920s’, Architectural Review, Vol. CLXXXI, No. 1079, (January 1987), pp. 21-26, 31-32. 17. Kurt W. Forster, ‘Antiquity and Modernity in the La Roche-Jeanneret Houses of 1923’, Oppositions, no. 15/16, (Winter/Spring 1979), pp. 131-153. 18. Philippe Boudon, ‘Le Corbusier’s Conception at Pessac’, in Lived-in Architecture: Le Corbusier’s Pessac Revisited, trans. G. Onn, (London: Lund Humphries, 1972), pp. 29-46. 19. Colin Rowe, ‘The Mathematics of the Ideal Villa: Palladio and Le Corbusier Compared’, Architectural Review, 101, (March 1947), pp. 101-104. 20. Tim Benton, ‘Villa Savoye and the Architects’ Practice’, in H. Allen Brooks (ed.), Le Corbusier, (Princeton: Princeton University Press, 1987), pp. 83-105. 21. Richard Meier, ‘’Les Heures Claires’’, in Yukio Futagawa, (ed.), Le Corbusier: Villa Savoye, Poissy, France. 1929-31, (Tokyo: A.D.A. Edita, 1972), pp. 2-7. Themes: Five Points of a New Architecture, the Architectural Promenade 22. Le Corbusier and Pierre Jeanneret, ‘Five points towards a new architecture’, in Ulrich Conrads, (ed.), Programs and Manifestoes on 20th-Century Architecture, (Cambridge, Mass.: MIT Press, 1970), pp. 99-100. 23. Werner Oechslin, ‘Les Cinqs Points d’une Architecture Nouvelle’, Assemblage, No. 4, (October 1987), pp. 83-93. 24. Bruno Reichlin, ‘The Pros and Cons of the Horizontal Window: The Perret-Le Corbusier Controversy’, Daidalos, 13, (September 1984), pp. 65-78. 25. Flora Samuel, ‘Elements of the Architectural Promenade’, in Le Corbusier and the Architectural Promenade, (Basel: Birkhäuser, 2010), pp. 85-101. The City of Tomorrow 1920-1933 Urbanisme, 1925 26. Le Corbusier, ‘A Contemporary City’, in The City of Tomorrow, trans. F. Etchells, (New York: Payson & Clarke, 1929), pp. 164-177. Urban Projects and CIAM 27. Norma Evenson, ‘A City for Three Million People’, and ‘The Voisin Plan’, in Le Corbusier: The Machine and the Grand Design, (New York: George Braziller, 1969), pp. 13-20, 112-114. 28. Kenneth Frampton, ‘The City of Dialectic’, Architectural Design, Vol. XXXIX, (October 1969), pp. 541-546. 29. Sigfried Giedion, ‘The International Congresses for Modern Architecture (CIAM) and the Formation of Contemporary Architecture’, in Space, Time and Architecture: The Growth of a New Tradition, (Cambridge, Mass.: Harvard University Press, 1982), pp. 696-706. 　 Volume II: Allied Arts, 1925-1937 L’Art décoratif d’aujourd’hui (1925) 30. Le Corbusier, ‘Type-needs. Type-furniture’, in The Decorative Art of Today, trans. J. Dunnett, (Cambridge, Mass.: MIT Press, 1987), pp. 67-79. Furniture and Interiors 31. Charlotte Benton, ‘Le Corbusier: Furniture and the Interior’, Journal of Design History, 3, no. 2-3 (1990): pp. 103-124. The Role of Drawing, Painting, Sculpture and Colour 32. Christopher Green, ‘The Architect as Artist’, in Le Corbusier: Architect of the Century, (London: Arts Council of Great Britain, 1987), pp. 110-118. 33. Geoffrey Baker, ‘Le Corbusier: Sketches and Drawings’, Architectural Design, 52, 7/8, (1982), pp. 64-69. 34. Richard Joseph Ingersoll, ‘Le Corbusier: A Marriage of Contours’, in Le Corbusier: A Marriage of Contours, (New York: Princeton Architectural Press, 1990), pp. 7-16. 35. Fernand Leger, ‘Color in Architecture’, in Stamo Papadaki (ed.), Le Corbusier, Architect, Painter, Writer, (New York: Macmillan, 1948), pp. 78-80. Photography 36. Beatriz Colomina, ‘Le Corbusier and Photography’, Assemblage, 4, (October 1987), pp. 7-23. 37 Thomas L. Schumacher, ‘Deep Space/Shallow Space’, Architectural Review, Vol. CLXXXI, No. 1079, (January 1987), pp. 37-42. World Architect, 1928-1936 League of Nations and Mundaneum 38. Sigfried Giedion, ‘The League of Nations Competition, 1927: Contemporary Architecture Comes to the Front’, in Space, Time and Architecture: The Growth of a New Tradition, (Cambridge, Mass.: Harvard University Press, 1982), pp. 530-539. 39. Giuliano Gresleri, ‘The Mundaneum Plan’, in Carlo Palazzolo and Riccardo Vio (eds.), In the Footsteps of Le Corbusier, (New York: Rizzoli, 1991), pp. 93-113. International Encounters: U.S.S.R., Latin America, North Africa and America 40. Jean-Louis Cohen, ‘Le Corbusier and the Mystique of the U.S.S.R.’, Oppositions, no. 23, (Winter 1981), pp. 85-121. 41. Moses Ginzburg, ‘Letter to Le Corbusier’, in A. Kopp, (ed.), Town and Revolution, (London: Thames & Hudson, 1970), pp. 253-254. 42. Fernando Pérez Oyarzun, ‘Le Corbusier in South America: Reinventing the South American City’, in Le Corbusier & The Architecture of Reinvention, (London: AA Publications, 2003), pp. 141-153. 43. Mary McLeod, ‘Le Corbusier and Algiers’, Oppositions, no. 19/20, (Winter/Spring 1980), pp. 54-85. 44. Mardges Bacon, ‘The "Call" to American Industrialists’, in Le Corbusier in America: Travels in the Land of the Timid, (Cambridge, Mass.: MIT Press, 2001), pp. 184-189, 365-368. 45. Le Corbusier, ‘The Skyscrapers Of New York Are Too Small’, in When the Cathedrals Were White: A Journey to the Country of Timid People, trans. F.E. Hyslop, Jr., (New York: McGraw-Hill Book Co., 1964), pp. 51-58. Housing Projects 46. Brian Brace Taylor, ‘Technology, Society, and Social Control in Le Corbusier’s Cité de Refuge, Paris, 1933’, Oppositions, no. 15/16, (Winter/Spring 1979), pp. 168-185. 47. Shadrach Woods, ‘Why Revisit ‘Le Pavillon Suisse’?’, Architectural Forum, 122, (June 1965), pp. 59-63. 48. Peter Carl, ‘Le Corbusier’s Penthouse in Paris, 24 Rue Nungesser-et-Coli’, Daidalos, 28, (June 1998), pp. 65-75. 49. Christian Sumi, ‘The Immeuble Clarté’, in Carlo Palazzolo and Riccardo Vio (eds.), In the Footsteps of Le Corbusier, (New York: Rizzoli, 1991), pp. 177-187. Regionalism and Vernacular Forms, 1929-1935 50. Peter Blake, ‘Thirteen’, in Le Corbusier: Architecture and Form, (Baltimore: Penguin Books, 1966), pp. 86-95. 51. Tim Benton, ‘Petite Maison de Weekend (Villa Félix), La Celle-St-Cloud’, in Michael Raeburn and Victoria Wilson (eds.), Le Corbusier: Architect of the Century, (London: Arts Council of Great Britain, 1987), pp. 65-66. The War Years, 1936-1946 52. Danilo Udovicki-Selb, ‘Le Corbusier and the Paris Exposition of 1937: The Temps Nouveau Pavilion’, Journal of the Society of Architectural Historians, Vol. 56, No. 1, (March 1997), pp. 42-63. 53. Antony Moulis, ‘Forms and techniques: Le Corbusier, the spiral plan and diagram architecture’, ARQ, Vol. 4, Issue 4, (December 2010), pp. 317-326. 54. Kenneth Frampton, ‘The Politics of the Unpolitical: Le Corbusier and Saint-Simonian Technocracy 1923-1947’, in Le Corbusier, (London: Thames & Hudson, 2000), pp. 116-129, 231-232. 55. Robert Fishman, ‘Vichy’, in Urban Utopias in the Twentieth Century: Ebenezer Howard, Frank Lloyd Wright, and Le Corbusier, (New York: Basic Books Inc., 1977), pp. 243-252, 301-302. 　 Volume III: Post-War Reconstruction, 1946-1964 Ideas and Projects 56. Peter Clericuzio, ‘Le Corbusier and the Reconstruction of Saint-Dié: The debate over Modernism in France, 1944-46’, Chicago Art Journal, 20 (2010), pp. 47-71. 57. Le Corbusier, ‘The Construction of Dwellings’, in Talks with Students from the Schools of Architecture, trans. P. Chase, (New York: Orion Press, 1961), pp. 24-34. 58. Ernesto N. Rogers, ‘Villa, Townhouse’, and ‘Unité: the Utopian Spectrum’, in Four Great Makers of Modern Architecture, (New York: Columbia University School of Architecture, 1961), pp. 205-215. 59. Peter Collins, ‘Modulor’, Architectural Review, 116 (July 1954), pp. 4-8. 60. Lewis Mumford, ‘The Marseille ‘Folly’’, in Highway and the City, (New York: Harcourt, Brace and World, 1963), pp. 68-81. Brutalism and Spiritual Form 1948-1965 Brutalism 61. Reyner Banham, ‘Les Maisons Jaoul, Neuilly’, in The New Brutalism, (London: Architectural Press, 1966), pp. 85-86, 96-101. 62. Roberto Gargiani and Anna Rosellini, ‘Pisé, concrete with rubble, exposed brick’, in Le Corbusier: Béton Brut and Ineffable Space, 1940-1965, (Lausanne: EPFL Press, 2011), pp.345-354. 63. Anthony Vidler, ‘Troubles in theory V: the brutalist moment(s)’, Architectural review, 235/1404 (Feb 2014), pp. 96-101. Religious Buildings 64. James Stirling, ‘Ronchamp. Le Corbusier’s Chapel and the Crisis of Rationalism’, Architectural Review, 119, (March 1956), pp. 155-161. 65. Colin Rowe, ‘Dominican Monastery of La Tourette, Eveux-sur-Arbresle, Lyons,’ Architectural Review, 1129, no. 772, (June 1961), pp. 401-410. 66. Peter Buchanan, ‘La Tourette and Le Thoronet,’ Architectural Review, no. 1079, (January, 1987), pp. 48-59. 67. Anthony Eardley, ‘Grandeur is the Intention’, in Le Corbusier’s Firminy Church, (New York: IAUS/Rizzoli, 1981), pp. 4-23. Art practice: poetry and painting 68. Le Corbusier, ‘Ineffable Space’, in New World of Space, (New York: Reynal & Hitchcock, 1948), pp. 7-9. 69. Richard Allan Moore, ‘Alchemical and mythical themes in the poem of the Right Angle, 1945-65’, Oppositions, no. 19/20, (Winter-Spring 1980), pp. 111-139. India, 1950-1965 70. Maxwell Fry, ‘Chandigarh: A New Town for India’, Town & Country Planning, 21, (May 1953), pp. 217-221. 71. Charles Correa, ‘The Assembly: Chandigarh’, Architectural Review, 135, (June 1964), pp. 404-412. 72. Norma Evenson, ‘Chapter 6, Le Corbusier: The Master Plan’, Chandigarh, (Berkeley: University of California Press, 1966), pp. 29-39. 73. Allan B. Jacobs, ‘Observations on Chandigarh’, Journal of the American Institute of Planners, 33, no. 1, (January 1967), pp. 18-26. 74. Peter Serenyi, ‘Timeless but of its Time: Le Corbusier's Architecture in India’, Architectural Design 55, no. 7-8 (1985), pp. 55-87. 75. Vikramaditya Prakash, ‘With Open Hands’, in Chandigarh’s Le Corbusier: The Struggle for Modernity in Postcolonial India, (Seattle: University of Washington Press, 2002), pp. 123-145. 76. Madhu Sarin, ‘Socio-Economic Change and the Poor’, in Hasan-Uddin Khan et al (ed.), Le Corbusier: Chandigarh and the modern city: Insights into the iconic city sixty years later, (Ahmedabad: Mapin Publishing, 2009), pp. 108-120. Last Works/New Beginnings, 1948-1965 77. Alfonso Corona Martínez, 'Le Corbusier's Curutchet House in La Plata', AA Files, 37, (October 1998), pp. 33-39. 78. Marc Treib, ‘The Electronic Pavilion Reconsidered’, in Space Calculated in Seconds: The Philips Pavilion, Le Corbusier, Edgard Varèse, (Princeton: Princeton University Press, 1996), pp. 230-253. 79. Eduard R. Sekler and William J.R. Curtis, ‘The Carpenter Center in Le Corbusier’s oeuvre: An Assessment’, in Le Corbusier at Work: The Genesis of the Carpenter Center for the Visual Arts, (Cambridge, Mass.: Harvard University Press, 1978), pp. 229-258. 80. Peter Eisenman, ‘Textual Heresies: Le Corbusier, Palais des Congrès-Strasbourg, 1962-64,’ in Ten Canonical Buildings, 1950-2000, (New York, Rizzoli, 2008), pp.72-80. 81. Alan Colquhoun, ‘Formal and Functional Interactions: A Study of Two Late Works by Le Corbusier’, Architectural Design, vol. 36, (May 1966), pp. 221-234. 82. Catherine Dumont d’Ayot, ‘The Exhibition Pavilions for Heidi Weber and Theodor Ahrenberg’, in Jean-Louis Cohen (ed.), Le Corbusier’s Secret Laboratory: From Painting to Architecture, (Ostfiildern: Hatje Cantz Verlag, 2013), pp. 285-297. Volume IV: Legacy and Impact 1960-2016 Processes and Intentions 83. Françoise Choay, ‘Poetry and Aesthetics’, in Masters of World Architecture – Le Corbusier, (New York: George Braziller, 1960), pp. 22-24. 84. José Luis Sert, ‘Le Corbusier and the Image of Man’, in Four Great Makers of Modern Architecture, (New York: Columbia University School of Architecture, 1961), pp. 172-176. 85. Jerzy Soltan, ‘Working with Le Corbusier’, in H, Allen Brooks (ed.), Le Corbusier, (Princeton: Princeton University Press, 1987), pp. 1-16. 86.Judi Loach, ‘Studio as Laboratory’, Architectural Review, Vol. CLXXXI, No. 1079, (January 1987), pp. 73-77. Appreciations 87. Oscar Niemeyer, ‘Le Corbusier’, in W. Boesiger (ed.), Le Corbusier 1957-1965, (London: Thames & Hudson, 1965), pp. 9-10. 88. Sibyl Moholy-Nagy, ‘The Achievement of Le Corbusier’, Arts Magazine, 40, (November 1965), pp. 40-45. 89. Reyner Banham, ‘Le Corbusier: The Last Formgiver’, Architectural Review, 140, (August 1966), pp. 97-98. Colleagues and Collaborations 90. Joyce Lowman, ‘Corb as structural rationalist: the formative influence of engineer Max DuBois’, Architectural Review, 160/956 (1976), pp. 229-233. 91. Mary McLeod, ‘Charlotte Perriand: Here First Decade as a Designer’, AA Files, 15, (Summer 1987), pp. 3-13. 92. Charlotte Periand, ‘Le Corbusier and the Pioneering Age’, in A Life of Creation: An Autobigraphy, (New York: Monacelli Press, 2003), pp. 23-36. 93. Maristella Casciato, ‘Introducing Pierre Jeanneret: architect, designer, educator’, Mellon Lecture Canadian Center for Architecture (18 November, 2010). 94. Balkrishna Doshi, ‘Le Corbusier: The Acrobat of Architecture’ (extract) in his Le Corbusier and Louis I Kahn: The Acrobat and the Yogi of Architecture, (Ahmedabad: Vastu-Shilpa Foundation for Studies and Research in Environmental Design, 1986), pp. 8-19. 95. Jane Drew, ‘Le Corbusier as I Knew Him’, in Russell Walden, (ed.), The Open Hand: Essays on Le Corbusier, (Cambridge, Mass.: MIT Press, 1977), pp. 364-373. 96. Iannis Xenakis, Music and Architecture: Architectural Projects, Texts, and Realizations, trans. S. Kanach, (Hillsdale: Pendragon Press, 2008), pp. 120-121. 97. André Wogenscky, ‘History’ and ‘Modulor,’ in Le Corbusier’s Hands, trans. M. Millà Bernad, (Cambridge, Mass.: MIT Press, 2006), pp. 43-44, 69-72. International reception 98. Adrian Forty, ‘Le Corbusier’s B