目次

1. Introduction: Parallel Projections, Mimesis, and Intersections 2. James Stirling's Axonometric Traps 3. Modernism, scale, and Gesamkunstwerk in J. J. P. Oud 4. Occlusion and deliberately hidden lines: Hejduk’s Wall House 5. Indeterminacy and Transfiguration: Hejduk's Multiple Projections 6. Axonometry as theoretical instrument: the case of Eisenman 7. Cedric Price’s ‘In Action’ Drawings 8. Cognition, Image, and Embodiment 9. Conclusion: the Purpose of Drawing an Axonometric